PCAL Calendar

Gazing Deeply showcases how WKU’s backyard—the unique landscape of Mammoth Cave—is being studied, interpreted, and inspiring action on environmental change. Coinciding with the UNESCO Conservation of Fragile Karst Resources: A Workshop on Sustainability and Community and Earth Day’s 50th anniversary in 2020, this exhibition is a collaborative effort between arts and science faculty and students that highlights one of the most well-known and vital natural landscapes in the world. 

History suggests that as “big business” started to take hold in the late 1800s, women became more involved in business and working outside the home. However, few women owned companies. Those that did were in industries centered on women, such as home goods, apparel, or personal care.

Today, women own only 40% of businesses in the U.S., making Carrie Burnam Taylor’s business of the early 20th century that much more impressive. Curated with Dr. Carrie Cox, this exhibit will explore Taylor's life and work, displaying three of her dresses, two coats, two bodices, and various undergarments recently conserved thanks to our Adopt-an-Artifact program.

More Information

In the late 1800s, stitchery from London's Royal School of Art needlework and Japanese arts and crafts exhibited at the Philadelphia Centennial Exhibition inspired women across America to take up their needles in new and different ways. Explore the various "maniacal" and "maddening" designs that resulted in this showcase of our Crazy Quilt collection.

School of Media Galleries: Grayson County Photography Exhibit.

Danielle Mužina, an artist and educator currently living and working in Cleveland, Ohio, makes paintings that explore place, identity, and crisis, inspired by both personal lived and inherited familial experiences. Using the homespace as a point of grounding and as metaphor, she writes: "My immigrant grandmother, reflecting on witnessing national traumas in our home of former Yugoslavia, tells me 'to pay attention when the sky's bleeding, even if someone tells you it's not'."

This exhibition documents the process artists Alice Gatewood Waddell and Mike Nichols followed to create the historic Jonesville Fresco for the lobby of the Kentucky Museum. The fresco is based on Waddell's image featuring the historic African-American community destroyed by the expansion of WKU.

Gazing Deeply showcases how WKU’s backyard—the unique landscape of Mammoth Cave—is being studied, interpreted, and inspiring action on environmental change. Coinciding with the UNESCO Conservation of Fragile Karst Resources: A Workshop on Sustainability and Community and Earth Day’s 50th anniversary in 2020, this exhibition is a collaborative effort between arts and science faculty and students that highlights one of the most well-known and vital natural landscapes in the world. 

History suggests that as “big business” started to take hold in the late 1800s, women became more involved in business and working outside the home. However, few women owned companies. Those that did were in industries centered on women, such as home goods, apparel, or personal care.

Today, women own only 40% of businesses in the U.S., making Carrie Burnam Taylor’s business of the early 20th century that much more impressive. Curated with Dr. Carrie Cox, this exhibit will explore Taylor's life and work, displaying three of her dresses, two coats, two bodices, and various undergarments recently conserved thanks to our Adopt-an-Artifact program.

More Information

In the late 1800s, stitchery from London's Royal School of Art needlework and Japanese arts and crafts exhibited at the Philadelphia Centennial Exhibition inspired women across America to take up their needles in new and different ways. Explore the various "maniacal" and "maddening" designs that resulted in this showcase of our Crazy Quilt collection.

School of Media Galleries: Grayson County Photography Exhibit.

Danielle Mužina, an artist and educator currently living and working in Cleveland, Ohio, makes paintings that explore place, identity, and crisis, inspired by both personal lived and inherited familial experiences. Using the homespace as a point of grounding and as metaphor, she writes: "My immigrant grandmother, reflecting on witnessing national traumas in our home of former Yugoslavia, tells me 'to pay attention when the sky's bleeding, even if someone tells you it's not'."

This exhibition documents the process artists Alice Gatewood Waddell and Mike Nichols followed to create the historic Jonesville Fresco for the lobby of the Kentucky Museum. The fresco is based on Waddell's image featuring the historic African-American community destroyed by the expansion of WKU.

WKU dance students choreograph and perform original pieces with unique stories and styles, featuring a variety of dance genres!

All tickets $7

(Digital concert on Demand available February 17th - 19th, 2023, $5 + fee)

Gazing Deeply showcases how WKU’s backyard—the unique landscape of Mammoth Cave—is being studied, interpreted, and inspiring action on environmental change. Coinciding with the UNESCO Conservation of Fragile Karst Resources: A Workshop on Sustainability and Community and Earth Day’s 50th anniversary in 2020, this exhibition is a collaborative effort between arts and science faculty and students that highlights one of the most well-known and vital natural landscapes in the world. 

History suggests that as “big business” started to take hold in the late 1800s, women became more involved in business and working outside the home. However, few women owned companies. Those that did were in industries centered on women, such as home goods, apparel, or personal care.

Today, women own only 40% of businesses in the U.S., making Carrie Burnam Taylor’s business of the early 20th century that much more impressive. Curated with Dr. Carrie Cox, this exhibit will explore Taylor's life and work, displaying three of her dresses, two coats, two bodices, and various undergarments recently conserved thanks to our Adopt-an-Artifact program.

More Information

In the late 1800s, stitchery from London's Royal School of Art needlework and Japanese arts and crafts exhibited at the Philadelphia Centennial Exhibition inspired women across America to take up their needles in new and different ways. Explore the various "maniacal" and "maddening" designs that resulted in this showcase of our Crazy Quilt collection.

School of Media Galleries: Grayson County Photography Exhibit.

Danielle Mužina, an artist and educator currently living and working in Cleveland, Ohio, makes paintings that explore place, identity, and crisis, inspired by both personal lived and inherited familial experiences. Using the homespace as a point of grounding and as metaphor, she writes: "My immigrant grandmother, reflecting on witnessing national traumas in our home of former Yugoslavia, tells me 'to pay attention when the sky's bleeding, even if someone tells you it's not'."

This exhibition documents the process artists Alice Gatewood Waddell and Mike Nichols followed to create the historic Jonesville Fresco for the lobby of the Kentucky Museum. The fresco is based on Waddell's image featuring the historic African-American community destroyed by the expansion of WKU.

WKU dance students choreograph and perform original pieces with unique stories and styles, featuring a variety of dance genres!

All tickets $7

(Digital concert on Demand available February 17th - 19th, 2023, $5 + fee)

Gazing Deeply showcases how WKU’s backyard—the unique landscape of Mammoth Cave—is being studied, interpreted, and inspiring action on environmental change. Coinciding with the UNESCO Conservation of Fragile Karst Resources: A Workshop on Sustainability and Community and Earth Day’s 50th anniversary in 2020, this exhibition is a collaborative effort between arts and science faculty and students that highlights one of the most well-known and vital natural landscapes in the world. 

History suggests that as “big business” started to take hold in the late 1800s, women became more involved in business and working outside the home. However, few women owned companies. Those that did were in industries centered on women, such as home goods, apparel, or personal care.

Today, women own only 40% of businesses in the U.S., making Carrie Burnam Taylor’s business of the early 20th century that much more impressive. Curated with Dr. Carrie Cox, this exhibit will explore Taylor's life and work, displaying three of her dresses, two coats, two bodices, and various undergarments recently conserved thanks to our Adopt-an-Artifact program.

More Information

In the late 1800s, stitchery from London's Royal School of Art needlework and Japanese arts and crafts exhibited at the Philadelphia Centennial Exhibition inspired women across America to take up their needles in new and different ways. Explore the various "maniacal" and "maddening" designs that resulted in this showcase of our Crazy Quilt collection.

School of Media Galleries: Grayson County Photography Exhibit.

Danielle Mužina, an artist and educator currently living and working in Cleveland, Ohio, makes paintings that explore place, identity, and crisis, inspired by both personal lived and inherited familial experiences. Using the homespace as a point of grounding and as metaphor, she writes: "My immigrant grandmother, reflecting on witnessing national traumas in our home of former Yugoslavia, tells me 'to pay attention when the sky's bleeding, even if someone tells you it's not'."

This exhibition documents the process artists Alice Gatewood Waddell and Mike Nichols followed to create the historic Jonesville Fresco for the lobby of the Kentucky Museum. The fresco is based on Waddell's image featuring the historic African-American community destroyed by the expansion of WKU.

The WKU Philosophy Conference is free and open to all WKU students, faculty, staff, and the broader Bowling Green community. Scholars from the University of Kentucky, Augustana College, Eastern Kentucky University, Southern Utah University, and the University of Louisville will be presenting, so don't miss out!

WKU dance students choreograph and perform original pieces with unique stories and styles, featuring a variety of dance genres!

All tickets $7

(Digital concert on Demand available February 17th - 19th, 2023, $5 + fee)

Gazing Deeply showcases how WKU’s backyard—the unique landscape of Mammoth Cave—is being studied, interpreted, and inspiring action on environmental change. Coinciding with the UNESCO Conservation of Fragile Karst Resources: A Workshop on Sustainability and Community and Earth Day’s 50th anniversary in 2020, this exhibition is a collaborative effort between arts and science faculty and students that highlights one of the most well-known and vital natural landscapes in the world. 

History suggests that as “big business” started to take hold in the late 1800s, women became more involved in business and working outside the home. However, few women owned companies. Those that did were in industries centered on women, such as home goods, apparel, or personal care.

Today, women own only 40% of businesses in the U.S., making Carrie Burnam Taylor’s business of the early 20th century that much more impressive. Curated with Dr. Carrie Cox, this exhibit will explore Taylor's life and work, displaying three of her dresses, two coats, two bodices, and various undergarments recently conserved thanks to our Adopt-an-Artifact program.

More Information

In the late 1800s, stitchery from London's Royal School of Art needlework and Japanese arts and crafts exhibited at the Philadelphia Centennial Exhibition inspired women across America to take up their needles in new and different ways. Explore the various "maniacal" and "maddening" designs that resulted in this showcase of our Crazy Quilt collection.

School of Media Galleries: Grayson County Photography Exhibit.

Danielle Mužina, an artist and educator currently living and working in Cleveland, Ohio, makes paintings that explore place, identity, and crisis, inspired by both personal lived and inherited familial experiences. Using the homespace as a point of grounding and as metaphor, she writes: "My immigrant grandmother, reflecting on witnessing national traumas in our home of former Yugoslavia, tells me 'to pay attention when the sky's bleeding, even if someone tells you it's not'."

This exhibition documents the process artists Alice Gatewood Waddell and Mike Nichols followed to create the historic Jonesville Fresco for the lobby of the Kentucky Museum. The fresco is based on Waddell's image featuring the historic African-American community destroyed by the expansion of WKU.

WKU dance students choreograph and perform original pieces with unique stories and styles, featuring a variety of dance genres!

All tickets $7

(Digital concert on Demand available February 17th - 19th, 2023, $5 + fee)

Gazing Deeply showcases how WKU’s backyard—the unique landscape of Mammoth Cave—is being studied, interpreted, and inspiring action on environmental change. Coinciding with the UNESCO Conservation of Fragile Karst Resources: A Workshop on Sustainability and Community and Earth Day’s 50th anniversary in 2020, this exhibition is a collaborative effort between arts and science faculty and students that highlights one of the most well-known and vital natural landscapes in the world. 

History suggests that as “big business” started to take hold in the late 1800s, women became more involved in business and working outside the home. However, few women owned companies. Those that did were in industries centered on women, such as home goods, apparel, or personal care.

Today, women own only 40% of businesses in the U.S., making Carrie Burnam Taylor’s business of the early 20th century that much more impressive. Curated with Dr. Carrie Cox, this exhibit will explore Taylor's life and work, displaying three of her dresses, two coats, two bodices, and various undergarments recently conserved thanks to our Adopt-an-Artifact program.

More Information

In the late 1800s, stitchery from London's Royal School of Art needlework and Japanese arts and crafts exhibited at the Philadelphia Centennial Exhibition inspired women across America to take up their needles in new and different ways. Explore the various "maniacal" and "maddening" designs that resulted in this showcase of our Crazy Quilt collection.

School of Media Galleries: Grayson County Photography Exhibit.

Danielle Mužina, an artist and educator currently living and working in Cleveland, Ohio, makes paintings that explore place, identity, and crisis, inspired by both personal lived and inherited familial experiences. Using the homespace as a point of grounding and as metaphor, she writes: "My immigrant grandmother, reflecting on witnessing national traumas in our home of former Yugoslavia, tells me 'to pay attention when the sky's bleeding, even if someone tells you it's not'."

This exhibition documents the process artists Alice Gatewood Waddell and Mike Nichols followed to create the historic Jonesville Fresco for the lobby of the Kentucky Museum. The fresco is based on Waddell's image featuring the historic African-American community destroyed by the expansion of WKU.

Visiting Writer Series – Screenwriter William F. Akers.

Gazing Deeply showcases how WKU’s backyard—the unique landscape of Mammoth Cave—is being studied, interpreted, and inspiring action on environmental change. Coinciding with the UNESCO Conservation of Fragile Karst Resources: A Workshop on Sustainability and Community and Earth Day’s 50th anniversary in 2020, this exhibition is a collaborative effort between arts and science faculty and students that highlights one of the most well-known and vital natural landscapes in the world. 

History suggests that as “big business” started to take hold in the late 1800s, women became more involved in business and working outside the home. However, few women owned companies. Those that did were in industries centered on women, such as home goods, apparel, or personal care.

Today, women own only 40% of businesses in the U.S., making Carrie Burnam Taylor’s business of the early 20th century that much more impressive. Curated with Dr. Carrie Cox, this exhibit will explore Taylor's life and work, displaying three of her dresses, two coats, two bodices, and various undergarments recently conserved thanks to our Adopt-an-Artifact program.

More Information

In the late 1800s, stitchery from London's Royal School of Art needlework and Japanese arts and crafts exhibited at the Philadelphia Centennial Exhibition inspired women across America to take up their needles in new and different ways. Explore the various "maniacal" and "maddening" designs that resulted in this showcase of our Crazy Quilt collection.

School of Media Galleries: Grayson County Photography Exhibit.

Danielle Mužina, an artist and educator currently living and working in Cleveland, Ohio, makes paintings that explore place, identity, and crisis, inspired by both personal lived and inherited familial experiences. Using the homespace as a point of grounding and as metaphor, she writes: "My immigrant grandmother, reflecting on witnessing national traumas in our home of former Yugoslavia, tells me 'to pay attention when the sky's bleeding, even if someone tells you it's not'."

This exhibition documents the process artists Alice Gatewood Waddell and Mike Nichols followed to create the historic Jonesville Fresco for the lobby of the Kentucky Museum. The fresco is based on Waddell's image featuring the historic African-American community destroyed by the expansion of WKU.

Gazing Deeply showcases how WKU’s backyard—the unique landscape of Mammoth Cave—is being studied, interpreted, and inspiring action on environmental change. Coinciding with the UNESCO Conservation of Fragile Karst Resources: A Workshop on Sustainability and Community and Earth Day’s 50th anniversary in 2020, this exhibition is a collaborative effort between arts and science faculty and students that highlights one of the most well-known and vital natural landscapes in the world. 

History suggests that as “big business” started to take hold in the late 1800s, women became more involved in business and working outside the home. However, few women owned companies. Those that did were in industries centered on women, such as home goods, apparel, or personal care.

Today, women own only 40% of businesses in the U.S., making Carrie Burnam Taylor’s business of the early 20th century that much more impressive. Curated with Dr. Carrie Cox, this exhibit will explore Taylor's life and work, displaying three of her dresses, two coats, two bodices, and various undergarments recently conserved thanks to our Adopt-an-Artifact program.

More Information

In the late 1800s, stitchery from London's Royal School of Art needlework and Japanese arts and crafts exhibited at the Philadelphia Centennial Exhibition inspired women across America to take up their needles in new and different ways. Explore the various "maniacal" and "maddening" designs that resulted in this showcase of our Crazy Quilt collection.

School of Media Galleries: Grayson County Photography Exhibit.

Danielle Mužina, an artist and educator currently living and working in Cleveland, Ohio, makes paintings that explore place, identity, and crisis, inspired by both personal lived and inherited familial experiences. Using the homespace as a point of grounding and as metaphor, she writes: "My immigrant grandmother, reflecting on witnessing national traumas in our home of former Yugoslavia, tells me 'to pay attention when the sky's bleeding, even if someone tells you it's not'."

This exhibition documents the process artists Alice Gatewood Waddell and Mike Nichols followed to create the historic Jonesville Fresco for the lobby of the Kentucky Museum. The fresco is based on Waddell's image featuring the historic African-American community destroyed by the expansion of WKU.

Join Kimball Green of General Motors as he discusses careers in industry for graduates of arts, humanities, and social programs. If you are graduating soon, this is an event you don't want to miss!

Join the Cultural Enhancement Series as they welcome Dr. William H. Turner, author of The Harlan Renaissance: Stories of Black Life in Appalachian Coal Towns and winner of the 2021 Weatherford Award for Non-Fiction, to campus. Admission is free, no tickets necessary, seating is on a first-come, first-served basis.

Join the Cultural Enhancement Series as they welcome Dr. William H. Turner, author of The Harlan Renaissance: Stories of Black Life in Appalachian Coal Towns and winner of the 2021 Weatherford Award for Non-Fiction, to campus. Admission is free, no tickets necessary, seating is on a first-come, first-served basis.

Gazing Deeply showcases how WKU’s backyard—the unique landscape of Mammoth Cave—is being studied, interpreted, and inspiring action on environmental change. Coinciding with the UNESCO Conservation of Fragile Karst Resources: A Workshop on Sustainability and Community and Earth Day’s 50th anniversary in 2020, this exhibition is a collaborative effort between arts and science faculty and students that highlights one of the most well-known and vital natural landscapes in the world. 

History suggests that as “big business” started to take hold in the late 1800s, women became more involved in business and working outside the home. However, few women owned companies. Those that did were in industries centered on women, such as home goods, apparel, or personal care.

Today, women own only 40% of businesses in the U.S., making Carrie Burnam Taylor’s business of the early 20th century that much more impressive. Curated with Dr. Carrie Cox, this exhibit will explore Taylor's life and work, displaying three of her dresses, two coats, two bodices, and various undergarments recently conserved thanks to our Adopt-an-Artifact program.

More Information

In the late 1800s, stitchery from London's Royal School of Art needlework and Japanese arts and crafts exhibited at the Philadelphia Centennial Exhibition inspired women across America to take up their needles in new and different ways. Explore the various "maniacal" and "maddening" designs that resulted in this showcase of our Crazy Quilt collection.

School of Media Galleries: Grayson County Photography Exhibit.

Danielle Mužina, an artist and educator currently living and working in Cleveland, Ohio, makes paintings that explore place, identity, and crisis, inspired by both personal lived and inherited familial experiences. Using the homespace as a point of grounding and as metaphor, she writes: "My immigrant grandmother, reflecting on witnessing national traumas in our home of former Yugoslavia, tells me 'to pay attention when the sky's bleeding, even if someone tells you it's not'."

This exhibition documents the process artists Alice Gatewood Waddell and Mike Nichols followed to create the historic Jonesville Fresco for the lobby of the Kentucky Museum. The fresco is based on Waddell's image featuring the historic African-American community destroyed by the expansion of WKU.

Gazing Deeply showcases how WKU’s backyard—the unique landscape of Mammoth Cave—is being studied, interpreted, and inspiring action on environmental change. Coinciding with the UNESCO Conservation of Fragile Karst Resources: A Workshop on Sustainability and Community and Earth Day’s 50th anniversary in 2020, this exhibition is a collaborative effort between arts and science faculty and students that highlights one of the most well-known and vital natural landscapes in the world. 

History suggests that as “big business” started to take hold in the late 1800s, women became more involved in business and working outside the home. However, few women owned companies. Those that did were in industries centered on women, such as home goods, apparel, or personal care.

Today, women own only 40% of businesses in the U.S., making Carrie Burnam Taylor’s business of the early 20th century that much more impressive. Curated with Dr. Carrie Cox, this exhibit will explore Taylor's life and work, displaying three of her dresses, two coats, two bodices, and various undergarments recently conserved thanks to our Adopt-an-Artifact program.

More Information

In the late 1800s, stitchery from London's Royal School of Art needlework and Japanese arts and crafts exhibited at the Philadelphia Centennial Exhibition inspired women across America to take up their needles in new and different ways. Explore the various "maniacal" and "maddening" designs that resulted in this showcase of our Crazy Quilt collection.

School of Media Galleries: Grayson County Photography Exhibit.

Danielle Mužina, an artist and educator currently living and working in Cleveland, Ohio, makes paintings that explore place, identity, and crisis, inspired by both personal lived and inherited familial experiences. Using the homespace as a point of grounding and as metaphor, she writes: "My immigrant grandmother, reflecting on witnessing national traumas in our home of former Yugoslavia, tells me 'to pay attention when the sky's bleeding, even if someone tells you it's not'."

This exhibition documents the process artists Alice Gatewood Waddell and Mike Nichols followed to create the historic Jonesville Fresco for the lobby of the Kentucky Museum. The fresco is based on Waddell's image featuring the historic African-American community destroyed by the expansion of WKU.

Anthropology graduate, Brielle Freeman, will present "Study Abroad in Scandinavia: Gender Misconceptions from the Mortuary Record in the Viking Age". 

Zoom link: https://wku.zoom.us/j/96325787422.

Study Abroad in Scandinavia: Gender Misconceptions from the Mortuary Record in the Viking Age.

Zoom option: https://wku.zoom.us/j/96325787422

Gazing Deeply showcases how WKU’s backyard—the unique landscape of Mammoth Cave—is being studied, interpreted, and inspiring action on environmental change. Coinciding with the UNESCO Conservation of Fragile Karst Resources: A Workshop on Sustainability and Community and Earth Day’s 50th anniversary in 2020, this exhibition is a collaborative effort between arts and science faculty and students that highlights one of the most well-known and vital natural landscapes in the world. 

History suggests that as “big business” started to take hold in the late 1800s, women became more involved in business and working outside the home. However, few women owned companies. Those that did were in industries centered on women, such as home goods, apparel, or personal care.

Today, women own only 40% of businesses in the U.S., making Carrie Burnam Taylor’s business of the early 20th century that much more impressive. Curated with Dr. Carrie Cox, this exhibit will explore Taylor's life and work, displaying three of her dresses, two coats, two bodices, and various undergarments recently conserved thanks to our Adopt-an-Artifact program.

More Information

In the late 1800s, stitchery from London's Royal School of Art needlework and Japanese arts and crafts exhibited at the Philadelphia Centennial Exhibition inspired women across America to take up their needles in new and different ways. Explore the various "maniacal" and "maddening" designs that resulted in this showcase of our Crazy Quilt collection.

School of Media Galleries: Grayson County Photography Exhibit.

Danielle Mužina, an artist and educator currently living and working in Cleveland, Ohio, makes paintings that explore place, identity, and crisis, inspired by both personal lived and inherited familial experiences. Using the homespace as a point of grounding and as metaphor, she writes: "My immigrant grandmother, reflecting on witnessing national traumas in our home of former Yugoslavia, tells me 'to pay attention when the sky's bleeding, even if someone tells you it's not'."

This exhibition documents the process artists Alice Gatewood Waddell and Mike Nichols followed to create the historic Jonesville Fresco for the lobby of the Kentucky Museum. The fresco is based on Waddell's image featuring the historic African-American community destroyed by the expansion of WKU.

Kick the Clock Dance Festival is a weekend of collaboration where choreographers and movers of all backgrounds and abilities will race against time to create short works of movement to be performed at the festival's conclusion. (Produced by the WKU Student Chapter of the National Dance Education Organization)

Free Admission, Donations Appreciated.

This competitive exhibition is open to all residents 18 years of age or older, living in a Kentucky county which falls within a 65-mile radius of Bowling Green. The exhibition is located at the Kentucky Museum on the campus of Western Kentucky University in Bowling Green. Entry fee is $20.

Artists must register by 11:59pm CST on February 11, 2023. Please see exhibit webpage for more information.

Gazing Deeply showcases how WKU’s backyard—the unique landscape of Mammoth Cave—is being studied, interpreted, and inspiring action on environmental change. Coinciding with the UNESCO Conservation of Fragile Karst Resources: A Workshop on Sustainability and Community and Earth Day’s 50th anniversary in 2020, this exhibition is a collaborative effort between arts and science faculty and students that highlights one of the most well-known and vital natural landscapes in the world. 

History suggests that as “big business” started to take hold in the late 1800s, women became more involved in business and working outside the home. However, few women owned companies. Those that did were in industries centered on women, such as home goods, apparel, or personal care.

Today, women own only 40% of businesses in the U.S., making Carrie Burnam Taylor’s business of the early 20th century that much more impressive. Curated with Dr. Carrie Cox, this exhibit will explore Taylor's life and work, displaying three of her dresses, two coats, two bodices, and various undergarments recently conserved thanks to our Adopt-an-Artifact program.

More Information

In the late 1800s, stitchery from London's Royal School of Art needlework and Japanese arts and crafts exhibited at the Philadelphia Centennial Exhibition inspired women across America to take up their needles in new and different ways. Explore the various "maniacal" and "maddening" designs that resulted in this showcase of our Crazy Quilt collection.

School of Media Galleries: Grayson County Photography Exhibit.

Danielle Mužina, an artist and educator currently living and working in Cleveland, Ohio, makes paintings that explore place, identity, and crisis, inspired by both personal lived and inherited familial experiences. Using the homespace as a point of grounding and as metaphor, she writes: "My immigrant grandmother, reflecting on witnessing national traumas in our home of former Yugoslavia, tells me 'to pay attention when the sky's bleeding, even if someone tells you it's not'."

This exhibition documents the process artists Alice Gatewood Waddell and Mike Nichols followed to create the historic Jonesville Fresco for the lobby of the Kentucky Museum. The fresco is based on Waddell's image featuring the historic African-American community destroyed by the expansion of WKU.

Gazing Deeply showcases how WKU’s backyard—the unique landscape of Mammoth Cave—is being studied, interpreted, and inspiring action on environmental change. Coinciding with the UNESCO Conservation of Fragile Karst Resources: A Workshop on Sustainability and Community and Earth Day’s 50th anniversary in 2020, this exhibition is a collaborative effort between arts and science faculty and students that highlights one of the most well-known and vital natural landscapes in the world. 

History suggests that as “big business” started to take hold in the late 1800s, women became more involved in business and working outside the home. However, few women owned companies. Those that did were in industries centered on women, such as home goods, apparel, or personal care.

Today, women own only 40% of businesses in the U.S., making Carrie Burnam Taylor’s business of the early 20th century that much more impressive. Curated with Dr. Carrie Cox, this exhibit will explore Taylor's life and work, displaying three of her dresses, two coats, two bodices, and various undergarments recently conserved thanks to our Adopt-an-Artifact program.

More Information

In the late 1800s, stitchery from London's Royal School of Art needlework and Japanese arts and crafts exhibited at the Philadelphia Centennial Exhibition inspired women across America to take up their needles in new and different ways. Explore the various "maniacal" and "maddening" designs that resulted in this showcase of our Crazy Quilt collection.

School of Media Galleries: Grayson County Photography Exhibit.

Danielle Mužina, an artist and educator currently living and working in Cleveland, Ohio, makes paintings that explore place, identity, and crisis, inspired by both personal lived and inherited familial experiences. Using the homespace as a point of grounding and as metaphor, she writes: "My immigrant grandmother, reflecting on witnessing national traumas in our home of former Yugoslavia, tells me 'to pay attention when the sky's bleeding, even if someone tells you it's not'."

This exhibition documents the process artists Alice Gatewood Waddell and Mike Nichols followed to create the historic Jonesville Fresco for the lobby of the Kentucky Museum. The fresco is based on Waddell's image featuring the historic African-American community destroyed by the expansion of WKU.

Department of History: Galentine’s Day Vintage Board Game Night.

The Department of Art & Design invites you and your students to: Pink Hemorrhage an exhibition of work by visiting artist Danielle Mužina.

Open to the Public | Followed by Closing Reception in Gallery

Danielle Mužina is an artist and educator from Cleveland, Ohio. As an artist, she makes paintings that explore place, identity and crisis, inspired by her experiences as a member of a family that immigrated from Croatia. She received her B.F.A at Ohio Wesleyan University, her M.A. at Eastern Illinois University, and her M.F.A. at Miami University. Mužina has studied at the Jerusalem Studio School in Civita Castellana, Italy, and completed residencies at Chautauqua School of Art, the Vermont Studio Center, and The Sam and Adele Golden Foundation.

PINK HEMORRHAGE envisions heightened parallel worlds in which women reckon with personal and communal agency amidst crisis and uncertainty. The paintings ask questions about the impact of gender performance and trauma on relationships, selfhood, and experiences of space, supported by the amplified intensity permitted within an apocalyptic setting. My immigrant grandmother, reflecting on witnessing national crises in our home of former Yugoslavia, tells me “to pay attention when the sky’s bleeding even if someone tells you it’s not.” These paintings grapple with the roles figures play actively or inactively, together or divided, in both contributing to and addressing internal and external crises. 

Gazing Deeply showcases how WKU’s backyard—the unique landscape of Mammoth Cave—is being studied, interpreted, and inspiring action on environmental change. Coinciding with the UNESCO Conservation of Fragile Karst Resources: A Workshop on Sustainability and Community and Earth Day’s 50th anniversary in 2020, this exhibition is a collaborative effort between arts and science faculty and students that highlights one of the most well-known and vital natural landscapes in the world. 

History suggests that as “big business” started to take hold in the late 1800s, women became more involved in business and working outside the home. However, few women owned companies. Those that did were in industries centered on women, such as home goods, apparel, or personal care.

Today, women own only 40% of businesses in the U.S., making Carrie Burnam Taylor’s business of the early 20th century that much more impressive. Curated with Dr. Carrie Cox, this exhibit will explore Taylor's life and work, displaying three of her dresses, two coats, two bodices, and various undergarments recently conserved thanks to our Adopt-an-Artifact program.

More Information

In the late 1800s, stitchery from London's Royal School of Art needlework and Japanese arts and crafts exhibited at the Philadelphia Centennial Exhibition inspired women across America to take up their needles in new and different ways. Explore the various "maniacal" and "maddening" designs that resulted in this showcase of our Crazy Quilt collection.

School of Media Galleries: Grayson County Photography Exhibit.

This exhibition documents the process artists Alice Gatewood Waddell and Mike Nichols followed to create the historic Jonesville Fresco for the lobby of the Kentucky Museum. The fresco is based on Waddell's image featuring the historic African-American community destroyed by the expansion of WKU.

Gazing Deeply showcases how WKU’s backyard—the unique landscape of Mammoth Cave—is being studied, interpreted, and inspiring action on environmental change. Coinciding with the UNESCO Conservation of Fragile Karst Resources: A Workshop on Sustainability and Community and Earth Day’s 50th anniversary in 2020, this exhibition is a collaborative effort between arts and science faculty and students that highlights one of the most well-known and vital natural landscapes in the world. 

History suggests that as “big business” started to take hold in the late 1800s, women became more involved in business and working outside the home. However, few women owned companies. Those that did were in industries centered on women, such as home goods, apparel, or personal care.

Today, women own only 40% of businesses in the U.S., making Carrie Burnam Taylor’s business of the early 20th century that much more impressive. Curated with Dr. Carrie Cox, this exhibit will explore Taylor's life and work, displaying three of her dresses, two coats, two bodices, and various undergarments recently conserved thanks to our Adopt-an-Artifact program.

More Information

In the late 1800s, stitchery from London's Royal School of Art needlework and Japanese arts and crafts exhibited at the Philadelphia Centennial Exhibition inspired women across America to take up their needles in new and different ways. Explore the various "maniacal" and "maddening" designs that resulted in this showcase of our Crazy Quilt collection.

School of Media Galleries: Grayson County Photography Exhibit.

This exhibition documents the process artists Alice Gatewood Waddell and Mike Nichols followed to create the historic Jonesville Fresco for the lobby of the Kentucky Museum. The fresco is based on Waddell's image featuring the historic African-American community destroyed by the expansion of WKU.

Join us for a book talk with Raechel Anne Jolie as they discuss growing up queer and working class in the Midwest, and the art of rendering marginalized identities and experiences in memoir. Presented by the Department of English and the Gender & Women's Studies program.

Raechel Anne Jolie (she/they) is a writer and educator based in Cleveland, Ohio. She holds a Ph.D. in Critical Media Studies, with a minor in Feminist & Critical Sexuality Studies from the University of Minnesota. Her writing has appeared in The Baffler, Bitch, Teen Vogue, In These Times, among other publications. Rust Belt Femme is their first memoir and received recognition in NPR's Favorite Books of 2020, was a finalist in the Heartland Bookseller's Award, and was the winner of the Independent Publisher Book Award in LGBTQ Nonfiction.

Gazing Deeply showcases how WKU’s backyard—the unique landscape of Mammoth Cave—is being studied, interpreted, and inspiring action on environmental change. Coinciding with the UNESCO Conservation of Fragile Karst Resources: A Workshop on Sustainability and Community and Earth Day’s 50th anniversary in 2020, this exhibition is a collaborative effort between arts and science faculty and students that highlights one of the most well-known and vital natural landscapes in the world. 

History suggests that as “big business” started to take hold in the late 1800s, women became more involved in business and working outside the home. However, few women owned companies. Those that did were in industries centered on women, such as home goods, apparel, or personal care.

Today, women own only 40% of businesses in the U.S., making Carrie Burnam Taylor’s business of the early 20th century that much more impressive. Curated with Dr. Carrie Cox, this exhibit will explore Taylor's life and work, displaying three of her dresses, two coats, two bodices, and various undergarments recently conserved thanks to our Adopt-an-Artifact program.

More Information

In the late 1800s, stitchery from London's Royal School of Art needlework and Japanese arts and crafts exhibited at the Philadelphia Centennial Exhibition inspired women across America to take up their needles in new and different ways. Explore the various "maniacal" and "maddening" designs that resulted in this showcase of our Crazy Quilt collection.

School of Media Galleries: Grayson County Photography Exhibit.

This exhibition documents the process artists Alice Gatewood Waddell and Mike Nichols followed to create the historic Jonesville Fresco for the lobby of the Kentucky Museum. The fresco is based on Waddell's image featuring the historic African-American community destroyed by the expansion of WKU.

Gazing Deeply showcases how WKU’s backyard—the unique landscape of Mammoth Cave—is being studied, interpreted, and inspiring action on environmental change. Coinciding with the UNESCO Conservation of Fragile Karst Resources: A Workshop on Sustainability and Community and Earth Day’s 50th anniversary in 2020, this exhibition is a collaborative effort between arts and science faculty and students that highlights one of the most well-known and vital natural landscapes in the world. 

History suggests that as “big business” started to take hold in the late 1800s, women became more involved in business and working outside the home. However, few women owned companies. Those that did were in industries centered on women, such as home goods, apparel, or personal care.

Today, women own only 40% of businesses in the U.S., making Carrie Burnam Taylor’s business of the early 20th century that much more impressive. Curated with Dr. Carrie Cox, this exhibit will explore Taylor's life and work, displaying three of her dresses, two coats, two bodices, and various undergarments recently conserved thanks to our Adopt-an-Artifact program.

More Information

In the late 1800s, stitchery from London's Royal School of Art needlework and Japanese arts and crafts exhibited at the Philadelphia Centennial Exhibition inspired women across America to take up their needles in new and different ways. Explore the various "maniacal" and "maddening" designs that resulted in this showcase of our Crazy Quilt collection.

School of Media Galleries: Grayson County Photography Exhibit.

This exhibition documents the process artists Alice Gatewood Waddell and Mike Nichols followed to create the historic Jonesville Fresco for the lobby of the Kentucky Museum. The fresco is based on Waddell's image featuring the historic African-American community destroyed by the expansion of WKU.

Artists featured in the Celebration of the Arts must drop off their artwork on February 17th from 9AM - 5PM.

All works must be hand delivered and picked up by the artist on the dates listed on the Celebration of the Arts Calendar. No early drop-offs allowed. No work will be released to anyone other than the artist without permission from the artist.

Department of Folk Studies & Anthropology: Brown Bag Lecture Series.

Registration Complete - Fees Paid

Gazing Deeply showcases how WKU’s backyard—the unique landscape of Mammoth Cave—is being studied, interpreted, and inspiring action on environmental change. Coinciding with the UNESCO Conservation of Fragile Karst Resources: A Workshop on Sustainability and Community and Earth Day’s 50th anniversary in 2020, this exhibition is a collaborative effort between arts and science faculty and students that highlights one of the most well-known and vital natural landscapes in the world. 

History suggests that as “big business” started to take hold in the late 1800s, women became more involved in business and working outside the home. However, few women owned companies. Those that did were in industries centered on women, such as home goods, apparel, or personal care.

Today, women own only 40% of businesses in the U.S., making Carrie Burnam Taylor’s business of the early 20th century that much more impressive. Curated with Dr. Carrie Cox, this exhibit will explore Taylor's life and work, displaying three of her dresses, two coats, two bodices, and various undergarments recently conserved thanks to our Adopt-an-Artifact program.

More Information

In the late 1800s, stitchery from London's Royal School of Art needlework and Japanese arts and crafts exhibited at the Philadelphia Centennial Exhibition inspired women across America to take up their needles in new and different ways. Explore the various "maniacal" and "maddening" designs that resulted in this showcase of our Crazy Quilt collection.

This exhibition documents the process artists Alice Gatewood Waddell and Mike Nichols followed to create the historic Jonesville Fresco for the lobby of the Kentucky Museum. The fresco is based on Waddell's image featuring the historic African-American community destroyed by the expansion of WKU.

Gazing Deeply showcases how WKU’s backyard—the unique landscape of Mammoth Cave—is being studied, interpreted, and inspiring action on environmental change. Coinciding with the UNESCO Conservation of Fragile Karst Resources: A Workshop on Sustainability and Community and Earth Day’s 50th anniversary in 2020, this exhibition is a collaborative effort between arts and science faculty and students that highlights one of the most well-known and vital natural landscapes in the world. 

History suggests that as “big business” started to take hold in the late 1800s, women became more involved in business and working outside the home. However, few women owned companies. Those that did were in industries centered on women, such as home goods, apparel, or personal care.

Today, women own only 40% of businesses in the U.S., making Carrie Burnam Taylor’s business of the early 20th century that much more impressive. Curated with Dr. Carrie Cox, this exhibit will explore Taylor's life and work, displaying three of her dresses, two coats, two bodices, and various undergarments recently conserved thanks to our Adopt-an-Artifact program.

More Information

In the late 1800s, stitchery from London's Royal School of Art needlework and Japanese arts and crafts exhibited at the Philadelphia Centennial Exhibition inspired women across America to take up their needles in new and different ways. Explore the various "maniacal" and "maddening" designs that resulted in this showcase of our Crazy Quilt collection.

This exhibition documents the process artists Alice Gatewood Waddell and Mike Nichols followed to create the historic Jonesville Fresco for the lobby of the Kentucky Museum. The fresco is based on Waddell's image featuring the historic African-American community destroyed by the expansion of WKU.

Gazing Deeply showcases how WKU’s backyard—the unique landscape of Mammoth Cave—is being studied, interpreted, and inspiring action on environmental change. Coinciding with the UNESCO Conservation of Fragile Karst Resources: A Workshop on Sustainability and Community and Earth Day’s 50th anniversary in 2020, this exhibition is a collaborative effort between arts and science faculty and students that highlights one of the most well-known and vital natural landscapes in the world. 

History suggests that as “big business” started to take hold in the late 1800s, women became more involved in business and working outside the home. However, few women owned companies. Those that did were in industries centered on women, such as home goods, apparel, or personal care.

Today, women own only 40% of businesses in the U.S., making Carrie Burnam Taylor’s business of the early 20th century that much more impressive. Curated with Dr. Carrie Cox, this exhibit will explore Taylor's life and work, displaying three of her dresses, two coats, two bodices, and various undergarments recently conserved thanks to our Adopt-an-Artifact program.

More Information

In the late 1800s, stitchery from London's Royal School of Art needlework and Japanese arts and crafts exhibited at the Philadelphia Centennial Exhibition inspired women across America to take up their needles in new and different ways. Explore the various "maniacal" and "maddening" designs that resulted in this showcase of our Crazy Quilt collection.

This exhibition documents the process artists Alice Gatewood Waddell and Mike Nichols followed to create the historic Jonesville Fresco for the lobby of the Kentucky Museum. The fresco is based on Waddell's image featuring the historic African-American community destroyed by the expansion of WKU.

Gazing Deeply showcases how WKU’s backyard—the unique landscape of Mammoth Cave—is being studied, interpreted, and inspiring action on environmental change. Coinciding with the UNESCO Conservation of Fragile Karst Resources: A Workshop on Sustainability and Community and Earth Day’s 50th anniversary in 2020, this exhibition is a collaborative effort between arts and science faculty and students that highlights one of the most well-known and vital natural landscapes in the world. 

History suggests that as “big business” started to take hold in the late 1800s, women became more involved in business and working outside the home. However, few women owned companies. Those that did were in industries centered on women, such as home goods, apparel, or personal care.

Today, women own only 40% of businesses in the U.S., making Carrie Burnam Taylor’s business of the early 20th century that much more impressive. Curated with Dr. Carrie Cox, this exhibit will explore Taylor's life and work, displaying three of her dresses, two coats, two bodices, and various undergarments recently conserved thanks to our Adopt-an-Artifact program.

More Information

In the late 1800s, stitchery from London's Royal School of Art needlework and Japanese arts and crafts exhibited at the Philadelphia Centennial Exhibition inspired women across America to take up their needles in new and different ways. Explore the various "maniacal" and "maddening" designs that resulted in this showcase of our Crazy Quilt collection.

This exhibition documents the process artists Alice Gatewood Waddell and Mike Nichols followed to create the historic Jonesville Fresco for the lobby of the Kentucky Museum. The fresco is based on Waddell's image featuring the historic African-American community destroyed by the expansion of WKU.

PCAL presents "Places of Power", a live-stream event celebrating Black American History through music, spoken word, and dance. 

Enjoy a variety of performances by Tiffany Bostic-Brown, Terrance Brown, Alan White, Meghen McKinley.

Follow @wkupcal on Instagram and join us live at 7:30 PM!

Gazing Deeply showcases how WKU’s backyard—the unique landscape of Mammoth Cave—is being studied, interpreted, and inspiring action on environmental change. Coinciding with the UNESCO Conservation of Fragile Karst Resources: A Workshop on Sustainability and Community and Earth Day’s 50th anniversary in 2020, this exhibition is a collaborative effort between arts and science faculty and students that highlights one of the most well-known and vital natural landscapes in the world. 

History suggests that as “big business” started to take hold in the late 1800s, women became more involved in business and working outside the home. However, few women owned companies. Those that did were in industries centered on women, such as home goods, apparel, or personal care.

Today, women own only 40% of businesses in the U.S., making Carrie Burnam Taylor’s business of the early 20th century that much more impressive. Curated with Dr. Carrie Cox, this exhibit will explore Taylor's life and work, displaying three of her dresses, two coats, two bodices, and various undergarments recently conserved thanks to our Adopt-an-Artifact program.

More Information

In the late 1800s, stitchery from London's Royal School of Art needlework and Japanese arts and crafts exhibited at the Philadelphia Centennial Exhibition inspired women across America to take up their needles in new and different ways. Explore the various "maniacal" and "maddening" designs that resulted in this showcase of our Crazy Quilt collection.

This exhibition documents the process artists Alice Gatewood Waddell and Mike Nichols followed to create the historic Jonesville Fresco for the lobby of the Kentucky Museum. The fresco is based on Waddell's image featuring the historic African-American community destroyed by the expansion of WKU.

Gazing Deeply showcases how WKU’s backyard—the unique landscape of Mammoth Cave—is being studied, interpreted, and inspiring action on environmental change. Coinciding with the UNESCO Conservation of Fragile Karst Resources: A Workshop on Sustainability and Community and Earth Day’s 50th anniversary in 2020, this exhibition is a collaborative effort between arts and science faculty and students that highlights one of the most well-known and vital natural landscapes in the world. 

History suggests that as “big business” started to take hold in the late 1800s, women became more involved in business and working outside the home. However, few women owned companies. Those that did were in industries centered on women, such as home goods, apparel, or personal care.

Today, women own only 40% of businesses in the U.S., making Carrie Burnam Taylor’s business of the early 20th century that much more impressive. Curated with Dr. Carrie Cox, this exhibit will explore Taylor's life and work, displaying three of her dresses, two coats, two bodices, and various undergarments recently conserved thanks to our Adopt-an-Artifact program.

More Information

In the late 1800s, stitchery from London's Royal School of Art needlework and Japanese arts and crafts exhibited at the Philadelphia Centennial Exhibition inspired women across America to take up their needles in new and different ways. Explore the various "maniacal" and "maddening" designs that resulted in this showcase of our Crazy Quilt collection.

This exhibition documents the process artists Alice Gatewood Waddell and Mike Nichols followed to create the historic Jonesville Fresco for the lobby of the Kentucky Museum. The fresco is based on Waddell's image featuring the historic African-American community destroyed by the expansion of WKU.

This presentation is a multipart exploration of Dr. White's personal folklore journey, of relationships between and among folklore colleagues, of value of academic programs, and of cultural and environmental knowledge of people on a tiny Caribbean island.

Dr. Marilyn M. White is President of the American Folklore Society, a retired professor of Anthropology and Africana Studies at Kean University, and a former WKU professor.

This talk is part of the 50 Years of Folk Studies Speaker Series.

Celebration talk by Marilyn M. White, former WKU Folk Studies professor, retired professor of anthropology and Africana Studies at Kean University, and President of the American Folklore Society

Gazing Deeply showcases how WKU’s backyard—the unique landscape of Mammoth Cave—is being studied, interpreted, and inspiring action on environmental change. Coinciding with the UNESCO Conservation of Fragile Karst Resources: A Workshop on Sustainability and Community and Earth Day’s 50th anniversary in 2020, this exhibition is a collaborative effort between arts and science faculty and students that highlights one of the most well-known and vital natural landscapes in the world. 

History suggests that as “big business” started to take hold in the late 1800s, women became more involved in business and working outside the home. However, few women owned companies. Those that did were in industries centered on women, such as home goods, apparel, or personal care.

Today, women own only 40% of businesses in the U.S., making Carrie Burnam Taylor’s business of the early 20th century that much more impressive. Curated with Dr. Carrie Cox, this exhibit will explore Taylor's life and work, displaying three of her dresses, two coats, two bodices, and various undergarments recently conserved thanks to our Adopt-an-Artifact program.

More Information

In the late 1800s, stitchery from London's Royal School of Art needlework and Japanese arts and crafts exhibited at the Philadelphia Centennial Exhibition inspired women across America to take up their needles in new and different ways. Explore the various "maniacal" and "maddening" designs that resulted in this showcase of our Crazy Quilt collection.

This exhibition documents the process artists Alice Gatewood Waddell and Mike Nichols followed to create the historic Jonesville Fresco for the lobby of the Kentucky Museum. The fresco is based on Waddell's image featuring the historic African-American community destroyed by the expansion of WKU.

Presented by the WKU Department of Music

WIND ENSEMBLE & SYMPHONIC BAND

Join the Department of Theatre & Dance as they present The Studio Series! In this series, three short plays will be shown. These plays include: 

Week Daze

By: Hillary DePiano

Has TJ’s comfortable routine become a rut? When an old friend comes to town with a challenge, TJ’s got to figure out what it really means to live a little. Week Daze zooms out and looks at our  daily routines from a new perspective as all five weekdays play out simultaneously across the stage in a comic ballet.

Annnd Scene (of the Crime)

By: John Busser

Eddie committed murder . . . or did he? In this hilarious one-act play we follow along with our detective's improvised approach to finding the truth.

In Time

By: Ruby Gray

Two different eras come together in this timeless story of finding yourself and falling in love unexpectedly. Through library books and car rides in 2021, Sam and Casey become good friends and show us what it means to find your true self. Through letters and gardens in 1868, Sarah and Cecilia show us what it means to love, and to be able to love.

Admission is $8 and tickets can be purchased at wku.showare.com.

February Concert

Gazing Deeply showcases how WKU’s backyard—the unique landscape of Mammoth Cave—is being studied, interpreted, and inspiring action on environmental change. Coinciding with the UNESCO Conservation of Fragile Karst Resources: A Workshop on Sustainability and Community and Earth Day’s 50th anniversary in 2020, this exhibition is a collaborative effort between arts and science faculty and students that highlights one of the most well-known and vital natural landscapes in the world. 

History suggests that as “big business” started to take hold in the late 1800s, women became more involved in business and working outside the home. However, few women owned companies. Those that did were in industries centered on women, such as home goods, apparel, or personal care.

Today, women own only 40% of businesses in the U.S., making Carrie Burnam Taylor’s business of the early 20th century that much more impressive. Curated with Dr. Carrie Cox, this exhibit will explore Taylor's life and work, displaying three of her dresses, two coats, two bodices, and various undergarments recently conserved thanks to our Adopt-an-Artifact program.

More Information

In the late 1800s, stitchery from London's Royal School of Art needlework and Japanese arts and crafts exhibited at the Philadelphia Centennial Exhibition inspired women across America to take up their needles in new and different ways. Explore the various "maniacal" and "maddening" designs that resulted in this showcase of our Crazy Quilt collection.

This exhibition documents the process artists Alice Gatewood Waddell and Mike Nichols followed to create the historic Jonesville Fresco for the lobby of the Kentucky Museum. The fresco is based on Waddell's image featuring the historic African-American community destroyed by the expansion of WKU.

Join the Department of Theatre & Dance as they present The Studio Series! In this series, three short plays will be shown. These plays include: 

Week Daze

By: Hillary DePiano

Has TJ’s comfortable routine become a rut? When an old friend comes to town with a challenge, TJ’s got to figure out what it really means to live a little. Week Daze zooms out and looks at our  daily routines from a new perspective as all five weekdays play out simultaneously across the stage in a comic ballet.

Annnd Scene (of the Crime)

By: John Busser

Eddie committed murder . . . or did he? In this hilarious one-act play we follow along with our detective's improvised approach to finding the truth.

In Time

By: Ruby Gray

Two different eras come together in this timeless story of finding yourself and falling in love unexpectedly. Through library books and car rides in 2021, Sam and Casey become good friends and show us what it means to find your true self. Through letters and gardens in 1868, Sarah and Cecilia show us what it means to love, and to be able to love.

Admission is $8 and tickets can be purchased at wku.showare.com.

Gazing Deeply showcases how WKU’s backyard—the unique landscape of Mammoth Cave—is being studied, interpreted, and inspiring action on environmental change. Coinciding with the UNESCO Conservation of Fragile Karst Resources: A Workshop on Sustainability and Community and Earth Day’s 50th anniversary in 2020, this exhibition is a collaborative effort between arts and science faculty and students that highlights one of the most well-known and vital natural landscapes in the world. 

History suggests that as “big business” started to take hold in the late 1800s, women became more involved in business and working outside the home. However, few women owned companies. Those that did were in industries centered on women, such as home goods, apparel, or personal care.

Today, women own only 40% of businesses in the U.S., making Carrie Burnam Taylor’s business of the early 20th century that much more impressive. Curated with Dr. Carrie Cox, this exhibit will explore Taylor's life and work, displaying three of her dresses, two coats, two bodices, and various undergarments recently conserved thanks to our Adopt-an-Artifact program.

More Information

In the late 1800s, stitchery from London's Royal School of Art needlework and Japanese arts and crafts exhibited at the Philadelphia Centennial Exhibition inspired women across America to take up their needles in new and different ways. Explore the various "maniacal" and "maddening" designs that resulted in this showcase of our Crazy Quilt collection.

This exhibition documents the process artists Alice Gatewood Waddell and Mike Nichols followed to create the historic Jonesville Fresco for the lobby of the Kentucky Museum. The fresco is based on Waddell's image featuring the historic African-American community destroyed by the expansion of WKU.

Gazing Deeply showcases how WKU’s backyard—the unique landscape of Mammoth Cave—is being studied, interpreted, and inspiring action on environmental change. Coinciding with the UNESCO Conservation of Fragile Karst Resources: A Workshop on Sustainability and Community and Earth Day’s 50th anniversary in 2020, this exhibition is a collaborative effort between arts and science faculty and students that highlights one of the most well-known and vital natural landscapes in the world. 

History suggests that as “big business” started to take hold in the late 1800s, women became more involved in business and working outside the home. However, few women owned companies. Those that did were in industries centered on women, such as home goods, apparel, or personal care.

Today, women own only 40% of businesses in the U.S., making Carrie Burnam Taylor’s business of the early 20th century that much more impressive. Curated with Dr. Carrie Cox, this exhibit will explore Taylor's life and work, displaying three of her dresses, two coats, two bodices, and various undergarments recently conserved thanks to our Adopt-an-Artifact program.

More Information

In the late 1800s, stitchery from London's Royal School of Art needlework and Japanese arts and crafts exhibited at the Philadelphia Centennial Exhibition inspired women across America to take up their needles in new and different ways. Explore the various "maniacal" and "maddening" designs that resulted in this showcase of our Crazy Quilt collection.

This exhibition documents the process artists Alice Gatewood Waddell and Mike Nichols followed to create the historic Jonesville Fresco for the lobby of the Kentucky Museum. The fresco is based on Waddell's image featuring the historic African-American community destroyed by the expansion of WKU.

Join the Cultural Enhancement Series as they welcome U.S. Poet Laureate, Ada Limón, to campus for a night of poetry and prose. Admission is free, no tickets necessary, seating is on a first-come, first-served basis.

Join the Cultural Enhancement Series as they welcome U.S. Poet Laureate, Ada Limón, to campus for a night of poetry and prose. Masking is requested by the speaker.

Admission is free, no tickets necessary, seating is on a first-come, first-served basis.

Gazing Deeply showcases how WKU’s backyard—the unique landscape of Mammoth Cave—is being studied, interpreted, and inspiring action on environmental change. Coinciding with the UNESCO Conservation of Fragile Karst Resources: A Workshop on Sustainability and Community and Earth Day’s 50th anniversary in 2020, this exhibition is a collaborative effort between arts and science faculty and students that highlights one of the most well-known and vital natural landscapes in the world. 

History suggests that as “big business” started to take hold in the late 1800s, women became more involved in business and working outside the home. However, few women owned companies. Those that did were in industries centered on women, such as home goods, apparel, or personal care.

Today, women own only 40% of businesses in the U.S., making Carrie Burnam Taylor’s business of the early 20th century that much more impressive. Curated with Dr. Carrie Cox, this exhibit will explore Taylor's life and work, displaying three of her dresses, two coats, two bodices, and various undergarments recently conserved thanks to our Adopt-an-Artifact program.

More Information

In the late 1800s, stitchery from London's Royal School of Art needlework and Japanese arts and crafts exhibited at the Philadelphia Centennial Exhibition inspired women across America to take up their needles in new and different ways. Explore the various "maniacal" and "maddening" designs that resulted in this showcase of our Crazy Quilt collection.

This exhibition documents the process artists Alice Gatewood Waddell and Mike Nichols followed to create the historic Jonesville Fresco for the lobby of the Kentucky Museum. The fresco is based on Waddell's image featuring the historic African-American community destroyed by the expansion of WKU.